| Musikschaffen, DDR | 0 | 0 | 0 | 34 | 47 | 27 | 82 | 128 | 122 | 103 | 543 |
| Musikästhetik | 21 | 19 | 0 | 15 | 18 | 20 | 17 | 60 | 67 | 40 | 277 |
| Musikleben, DDR | 28 | 0 | 0 | 17 | 0 | 10 | 27 | 82 | 35 | 27 | 226 |
| Musikerziehung, DDR | 15 | 0 | 0 | 0 | 0 | 3 | 4 | 59 | 77 | 58 | 216 |
| Oper | 12 | 40 | 17 | 11 | 11 | 11 | 5 | 34 | 27 | 4 | 172 |
| Beethoven, Ludwig van | 5 | 6 | 5 | 8 | 30 | 14 | 42 | 14 | 7 | 11 | 142 |
| Analyse | 26 | 36 | 14 | 0 | 19 | 6 | 18 | 3 | 3 | 10 | 135 |
| Musikerziehung, Methodik | 0 | 0 | 0 | 17 | 14 | 18 | 20 | 17 | 34 | 13 | 133 |
| Händel, Georg Friedrich | 20 | 19 | 7 | 14 | 9 | 7 | 11 | 16 | 20 | 8 | 131 |
| Sinfonik | 0 | 0 | 15 | 4 | 9 | 4 | 12 | 30 | 23 | 33 | 130 |
| Bach, Johann Sebastian | 13 | 17 | 6 | 12 | 17 | 5 | 9 | 12 | 10 | 28 | 129 |
| Musikpsychologie | 14 | 8 | 14 | 12 | 9 | 12 | 8 | 18 | 16 | 18 | 129 |
| Rezeptionsforschung | 11 | 23 | 20 | 8 | 12 | 0 | 12 | 13 | 19 | 7 | 125 |
| Eisler, Hanns | 9 | 6 | 12 | 3 | 5 | 6 | 12 | 31 | 21 | 17 | 122 |
| Edition | 15 | 21 | 7 | 6 | 8 | 5 | 11 | 26 | 10 | 5 | 114 |
| Musikkultur, DDR | 0 | 0 | 0 | 0 | 0 | 1 | 5 | 19 | 37 | 40 | 102 |
| Telemann, Georg Philipp | 9 | 23 | 3 | 4 | 21 | 3 | 3 | 8 | 9 | 5 | 88 |
| Landschaftsforschung | 17 | 8 | 21 | 14 | 17 | 10 | 0 | 0 | 0 | 0 | 87 |
| Musiktheater, DDR | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 50 | 36 | 87 |
| Musikerziehung | 20 | 58 | 0 | 0 | 0 | 8 | 0 | 0 | 0 | 0 | 86 |
| Musiktheater | 3 | 7 | 1 | 0 | 10 | 14 | 9 | 41 | 0 | 0 | 85 |
| Musiksoziologie | 13 | 8 | 7 | 2 | 4 | 4 | 6 | 7 | 16 | 14 | 81 |
| Musikgeschichte, 18. Jh. | 0 | 0 | 25 | 3 | 0 | 2 | 0 | 16 | 17 | 14 | 77 |
| Tanzmusik | 2 | 5 | 7 | 8 | 9 | 5 | 9 | 12 | 11 | 9 | 77 |
| Musikgeschichte, 19. Jh. | 0 | 0 | 19 | 2 | 0 | 1 | 10 | 21 | 12 | 11 | 76 |
| Komponisten der DDR | 20 | 52 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 72 |
| Quellenforschung | 5 | 0 | 9 | 0 | 3 | 4 | 8 | 20 | 15 | 8 | 72 |
| Dessau, Paul | 4 | 9 | 2 | 2 | 7 | 2 | 8 | 8 | 23 | 6 | 71 |
| Musikerziehung, Geschichte | 7 | 0 | 0 | 9 | 7 | 6 | 20 | 7 | 8 | 4 | 68 |
| Musiktheorie | 18 | 9 | 8 | 3 | 6 | 5 | 1 | 6 | 6 | 6 | 68 |
| Musikgeschichte, 18. Jahrhundert | 0 | 66 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 66 |
| Musikethnologie | 1 | 14 | 8 | 10 | 8 | 3 | 7 | 5 | 1 | 7 | 64 |
| Erberezeption | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 19 | 17 | 22 | 63 |
| Musikerziehung, allgemein | 0 | 0 | 0 | 0 | 0 | 12 | 26 | 0 | 10 | 13 | 61 |
| Musikerziehung, Lehrplan | 0 | 0 | 0 | 0 | 0 | 4 | 17 | 21 | 9 | 10 | 61 |
| Schumann, Robert | 5 | 12 | 5 | 8 | 7 | 4 | 4 | 5 | 6 | 5 | 61 |
| Realismus, sozialistischer | 0 | 1 | 0 | 0 | 0 | 0 | 11 | 13 | 15 | 20 | 60 |
| Meyer, Ernst Hermann | 4 | 6 | 5 | 2 | 9 | 2 | 4 | 8 | 6 | 13 | 59 |
| Kammermusik | 0 | 0 | 9 | 0 | 0 | 1 | 5 | 14 | 13 | 16 | 58 |
| Musikerziehung, allgem. | 0 | 0 | 23 | 0 | 24 | 0 | 0 | 10 | 0 | 0 | 57 |
| Schostakowitsch, Dmitri | 7 | 6 | 3 | 4 | 5 | 5 | 8 | 5 | 4 | 7 | 54 |
| Musikleben, Geschichte | 0 | 0 | 0 | 5 | 0 | 1 | 1 | 17 | 19 | 10 | 53 |
| Aufführungspraxis | 8 | 6 | 6 | 6 | 1 | 8 | 4 | 3 | 0 | 9 | 51 |
| Dresden | 6 | 10 | 4 | 5 | 7 | 4 | 2 | 7 | 3 | 3 | 51 |
| Musikgeschichte, DDR | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 18 | 16 | 11 | 50 |
| Solokonzert | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 18 | 13 | 17 | 49 |
| Interpretation | 5 | 10 | 4 | 3 | 7 | 3 | 3 | 6 | 3 | 4 | 48 |
| Musiktherapie | 2 | 4 | 6 | 2 | 1 | 17 | 8 | 3 | 0 | 5 | 48 |
| Ballett | 3 | 5 | 2 | 2 | 3 | 1 | 6 | 16 | 4 | 4 | 46 |
| Leipzig | 9 | 4 | 5 | 2 | 2 | 2 | 0 | 8 | 2 | 12 | 46 |
| Lied | 7 | 0 | 8 | 8 | 7 | 6 | 5 | 4 | 0 | 0 | 45 |
| Operndramaturgie | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 11 | 21 | 11 | 45 |
| Instrumentenkunde | 0 | 2 | 0 | 5 | 1 | 10 | 3 | 9 | 7 | 5 | 42 |
| Geißler, Fritz | 1 | 3 | 3 | 0 | 1 | 6 | 5 | 6 | 6 | 9 | 40 |
| Mendelssohn Bartholdy, Felix | 0 | 0 | 0 | 1 | 0 | 0 | 15 | 15 | 5 | 4 | 40 |
| Musikgeschichte, 20 Jh. | 0 | 0 | 40 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 40 |
| Musikgeschichte, 20. Jahrhundert | 0 | 40 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 40 |
| Musikleben der DDR | 0 | 40 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 40 |
| Deutsche Demokratische Republik, Musikschaffen | 0 | 0 | 38 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 38 |
| Musikrezeption | 0 | 0 | 0 | 0 | 0 | 1 | 7 | 14 | 16 | 0 | 38 |
| Musikhören | 4 | 14 | 10 | 0 | 0 | 0 | 0 | 1 | 1 | 6 | 36 |
| Oper, zeitgenössische | 0 | 0 | 0 | 0 | 13 | 10 | 10 | 3 | 0 | 0 | 36 |
| Klaviermusik | 4 | 4 | 4 | 6 | 8 | 3 | 0 | 1 | 1 | 4 | 35 |
| Musikgeschichte, 19. Jahrhundert | 0 | 35 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 35 |
| Musikwissenschaft, DDR | 0 | 8 | 0 | 10 | 0 | 0 | 0 | 4 | 5 | 7 | 34 |
| Schütz, Heinrich | 0 | 1 | 1 | 0 | 1 | 0 | 12 | 4 | 6 | 9 | 34 |
| Werkbesprechung | 0 | 0 | 21 | 0 | 1 | 0 | 12 | 0 | 0 | 0 | 34 |
| Aufklärung | 0 | 3 | 0 | 1 | 2 | 0 | 2 | 9 | 11 | 5 | 33 |
| Berlin | 3 | 10 | 0 | 0 | 1 | 2 | 2 | 8 | 2 | 3 | 31 |
| Instrumentalmusik | 0 | 0 | 0 | 0 | 1 | 1 | 4 | 3 | 10 | 12 | 31 |
| Schallplatteneinführung | 0 | 17 | 0 | 0 | 0 | 0 | 14 | 0 | 0 | 0 | 31 |
| Vokalsinfonik | 0 | 0 | 2 | 2 | 0 | 0 | 3 | 8 | 5 | 11 | 31 |
| Akustik | 3 | 6 | 2 | 2 | 1 | 0 | 1 | 7 | 5 | 3 | 30 |
| Kulturpolitik, sozialistische | 0 | 0 | 0 | 0 | 0 | 0 | 9 | 21 | 0 | 0 | 30 |
| Matthus, Siegfried | 0 | 3 | 2 | 1 | 4 | 1 | 7 | 4 | 3 | 5 | 30 |
| Mozart, Wolfgang Amadeus | 3 | 4 | 0 | 2 | 1 | 3 | 2 | 7 | 4 | 4 | 30 |
| Kantate | 0 | 3 | 4 | 2 | 5 | 0 | 4 | 6 | 0 | 5 | 29 |
| Musikgeschichte, 17. Jh. | 0 | 0 | 8 | 1 | 0 | 1 | 3 | 4 | 5 | 7 | 29 |
| Reger, Max | 7 | 2 | 2 | 0 | 0 | 2 | 1 | 8 | 3 | 4 | 29 |
| Semiotik | 0 | 5 | 0 | 2 | 4 | 3 | 3 | 4 | 4 | 4 | 29 |
| Volkslied | 4 | 9 | 1 | 1 | 4 | 1 | 1 | 2 | 5 | 1 | 29 |
| Weimar | 0 | 3 | 0 | 0 | 1 | 0 | 22 | 1 | 0 | 2 | 29 |
| Musikgeschichte, allgemein | 0 | 0 | 0 | 14 | 0 | 0 | 1 | 0 | 6 | 6 | 27 |
| Prokofjew, Sergej | 4 | 3 | 2 | 5 | 2 | 2 | 3 | 4 | 1 | 1 | 27 |
| Kochan, Günter | 3 | 3 | 3 | 0 | 3 | 3 | 3 | 2 | 4 | 2 | 26 |
| Musikgeschichte, 19./20. Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 10 | 10 | 5 | 26 |
| Oratorium | 1 | 2 | 2 | 3 | 1 | 0 | 2 | 6 | 5 | 4 | 26 |
| Vivaldi, Antonio | 2 | 6 | 4 | 3 | 3 | 2 | 0 | 1 | 2 | 3 | 26 |
| Bach-Forschung | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 6 | 4 | 12 | 25 |
| Bibliographie | 5 | 0 | 4 | 1 | 3 | 2 | 4 | 4 | 1 | 1 | 25 |
| Musikästhetik, Geschichte | 1 | 0 | 0 | 4 | 11 | 1 | 4 | 3 | 1 | 0 | 25 |
| Quellen | 0 | 9 | 0 | 0 | 0 | 1 | 2 | 12 | 0 | 1 | 25 |
| Werkbetrachtung | 3 | 8 | 1 | 0 | 3 | 7 | 3 | 0 | 0 | 0 | 25 |
| Beethoven-Rezeption | 0 | 0 | 0 | 0 | 13 | 1 | 6 | 1 | 1 | 2 | 24 |
| Arbeitermusikbewegung | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 3 | 11 | 6 | 23 |
| Brecht, Bertolt | 1 | 5 | 3 | 1 | 1 | 2 | 1 | 3 | 3 | 3 | 23 |
| Musikästhetik, allg. | 0 | 0 | 23 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 23 |
| Musikerziehung, instrumentale | 0 | 0 | 0 | 0 | 0 | 2 | 6 | 3 | 10 | 2 | 23 |
| Wagner, Richard | 1 | 4 | 0 | 0 | 1 | 3 | 3 | 2 | 5 | 4 | 23 |
| Auftragswesen | 0 | 1 | 0 | 0 | 0 | 0 | 6 | 2 | 7 | 6 | 22 |
| Kunad, Rainer | 1 | 1 | 1 | 2 | 0 | 1 | 6 | 1 | 3 | 6 | 22 |
| Musikgeschichte, 18./19. Jh. | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 6 | 6 | 6 | 22 |
| Musikgeschichtsforschung, regionale | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 12 | 10 | 22 |
| Orgel | 0 | 0 | 3 | 0 | 0 | 3 | 4 | 6 | 4 | 2 | 22 |
| Singebewegung | 0 | 2 | 0 | 1 | 4 | 1 | 2 | 0 | 10 | 2 | 22 |
| Streichquartett | 0 | 3 | 0 | 2 | 2 | 2 | 2 | 7 | 2 | 2 | 22 |
| Bachpflege | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 21 | 21 |
| Ideologie | 15 | 4 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 21 |
| Musikerziehung, Musikschule | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 11 | 6 | 21 |
| Singspiel | 1 | 1 | 2 | 2 | 4 | 2 | 3 | 2 | 2 | 2 | 21 |
| Variation | 3 | 2 | 0 | 0 | 0 | 2 | 5 | 3 | 3 | 3 | 21 |
| Methodik des Musikunterrichts | 14 | 0 | 0 | 1 | 5 | 0 | 0 | 0 | 0 | 0 | 20 |
| Musikschaffen, UdSSR | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 6 | 14 | 20 |
| Vokalschaffen | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 8 | 7 | 2 | 20 |
| Butting, Max | 1 | 1 | 5 | 1 | 2 | 1 | 1 | 4 | 2 | 1 | 19 |
| Chormusik | 1 | 0 | 3 | 1 | 3 | 0 | 4 | 2 | 3 | 2 | 19 |
| Improvisation | 1 | 4 | 2 | 3 | 1 | 2 | 3 | 2 | 0 | 1 | 19 |
| Lied, politisches | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 6 | 6 | 6 | 19 |
| Musikunterricht, Methodik des | 0 | 11 | 8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 19 |
| Rosenfeld, Gerhard | 0 | 1 | 1 | 0 | 1 | 2 | 2 | 8 | 1 | 3 | 19 |
| Arbeitersängerbewegung | 7 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 5 | 1 | 18 |
| Bartók, Béla | 2 | 4 | 0 | 4 | 0 | 0 | 2 | 2 | 2 | 2 | 18 |
| Instrumentenbau | 0 | 1 | 0 | 1 | 1 | 2 | 1 | 1 | 5 | 6 | 18 |
| Musikgeschichte, 17./18. Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 6 | 4 | 8 | 18 |
| Rostock | 1 | 3 | 6 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 18 |
| Thilman, Johannes Paul | 3 | 3 | 0 | 0 | 3 | 5 | 0 | 3 | 0 | 1 | 18 |
| Wagner-Régeny, Rudolf | 3 | 1 | 3 | 1 | 1 | 0 | 1 | 3 | 3 | 2 | 18 |
| Cembalo | 0 | 1 | 1 | 1 | 1 | 2 | 3 | 2 | 3 | 3 | 17 |
| Händel-Pflege | 0 | 0 | 0 | 0 | 3 | 8 | 2 | 3 | 1 | 0 | 17 |
| Intonation | 0 | 5 | 3 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 17 |
| Musikwissenschaft | 0 | 0 | 0 | 0 | 13 | 3 | 0 | 1 | 0 | 0 | 17 |
| Oper, Geschichte | 0 | 0 | 0 | 0 | 0 | 0 | 9 | 4 | 2 | 2 | 17 |
| Schlager | 4 | 1 | 0 | 0 | 2 | 3 | 3 | 2 | 0 | 2 | 17 |
| Sinfonlk | 0 | 17 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 17 |
| Brahms, Johannes | 4 | 0 | 0 | 0 | 2 | 0 | 1 | 2 | 4 | 3 | 16 |
| Editionswesen | 1 | 5 | 2 | 3 | 2 | 1 | 1 | 1 | 0 | 0 | 16 |
| Halle | 9 | 0 | 1 | 0 | 1 | 2 | 0 | 2 | 1 | 0 | 16 |
| Musical | 0 | 2 | 0 | 1 | 0 | 1 | 2 | 1 | 5 | 4 | 16 |
| Musikerziehung, Didaktik | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 9 | 7 | 16 |
| Musikgeschichte, 20. Jh. | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 5 | 3 | 5 | 16 |
| Musikgeschichtsforschung, lokale | 0 | 0 | 0 | 0 | 0 | 0 | 13 | 3 | 0 | 0 | 16 |
| Musikschaffen, Sowjetunion | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 14 | 0 | 0 | 16 |
| Operninszenierung u. -Interpretation | 0 | 0 | 0 | 14 | 0 | 0 | 2 | 0 | 0 | 0 | 16 |
| Realismustheorie | 0 | 0 | 0 | 0 | 14 | 2 | 0 | 0 | 0 | 0 | 16 |
| Schallplatte | 0 | 0 | 11 | 0 | 0 | 1 | 0 | 1 | 2 | 1 | 16 |
| Schauspielmusik | 0 | 0 | 0 | 0 | 1 | 1 | 5 | 2 | 4 | 3 | 16 |
| Schwaen, Kurt | 1 | 5 | 0 | 3 | 1 | 0 | 1 | 0 | 5 | 0 | 16 |
| Sowjetunion | 3 | 0 | 13 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 16 |
| Arbeitermusik, Geschichte | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 13 | 2 | 15 |
| Bach-Pflege | 1 | 0 | 0 | 2 | 2 | 1 | 1 | 2 | 6 | 0 | 15 |
| Mecklenburg | 0 | 1 | 8 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 15 |
| Musikerziehung, Lehrerbildung | 0 | 6 | 0 | 0 | 1 | 1 | 3 | 0 | 1 | 3 | 15 |
| Tanztheater | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 13 | 1 | 1 | 15 |
| Arbeiterlied | 1 | 2 | 3 | 0 | 2 | 1 | 1 | 3 | 0 | 1 | 14 |
| Eisenach | 0 | 2 | 1 | 1 | 2 | 1 | 1 | 1 | 1 | 4 | 14 |
| Liszt, Franz | 1 | 3 | 1 | 2 | 1 | 0 | 1 | 4 | 0 | 1 | 14 |
| Musikerziehung, allgem. u. DDR | 0 | 0 | 0 | 14 | 0 | 0 | 0 | 0 | 0 | 0 | 14 |
| Musikhistoriographie, Methodologie | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 5 | 3 | 2 | 14 |
| Orgelbau | 0 | 1 | 1 | 5 | 2 | 0 | 0 | 2 | 2 | 1 | 14 |
| Schönberg, Arnold | 3 | 0 | 1 | 0 | 2 | 1 | 0 | 0 | 3 | 4 | 14 |
| Unterhaltung | 6 | 5 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 14 |
| Zimmermann, Udo | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 8 | 2 | 2 | 14 |
| Erfurt | 0 | 0 | 0 | 2 | 2 | 1 | 2 | 2 | 2 | 2 | 13 |
| Händelpflege und -forschung | 8 | 0 | 0 | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 13 |
| Kammersinfonik | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 9 | 13 |
| Kulturpolitik | 3 | 5 | 0 | 1 | 0 | 4 | 0 | 0 | 0 | 0 | 13 |
| Magdeburg | 1 | 4 | 0 | 0 | 0 | 1 | 2 | 1 | 3 | 1 | 13 |
| Massenlied | 2 | 2 | 1 | 0 | 1 | 1 | 1 | 3 | 0 | 2 | 13 |
| Musikerziehung, vorschulische | 0 | 0 | 0 | 0 | 2 | 1 | 3 | 1 | 3 | 3 | 13 |
| Musikkongreß DDR, zweiter | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 13 | 0 | 0 | 13 |
| Musiktheater, Geschichte | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 8 | 13 |
| Operninszenierung u.-Interpretation | 0 | 0 | 0 | 0 | 13 | 0 | 0 | 0 | 0 | 0 | 13 |
| Tanz | 0 | 2 | 3 | 0 | 0 | 0 | 2 | 0 | 6 | 0 | 13 |
| Tradition, musikalische | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 7 | 6 | 13 |
| Forest, Jean Kurt | 0 | 2 | 1 | 0 | 1 | 1 | 0 | 2 | 2 | 3 | 12 |
| Harmonik | 8 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 12 |
| Kurz, Siegfried | 2 | 3 | 2 | 1 | 2 | 1 | 0 | 0 | 1 | 0 | 12 |
| Methodologie | 0 | 9 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 12 |
| Musikerziehung, Weiterbildung | 0 | 0 | 0 | 0 | 0 | 4 | 1 | 0 | 1 | 6 | 12 |
| Musikkultur, sorbische | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 6 | 3 | 12 |
| Rundfunk | 2 | 1 | 2 | 3 | 1 | 1 | 2 | 0 | 0 | 0 | 12 |
| Sozialistischer Realismus | 4 | 0 | 4 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 12 |
| Beethoven-Bild | 0 | 0 | 0 | 0 | 0 | 0 | 8 | 2 | 0 | 1 | 11 |
| Bülow, Hans von | 0 | 1 | 1 | 1 | 1 | 2 | 1 | 1 | 1 | 2 | 11 |
| Chorbewegung | 0 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 4 | 1 | 11 |
| Dokumente | 0 | 0 | 0 | 11 | 0 | 0 | 0 | 0 | 0 | 0 | 11 |
| Friderici, Daniel | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 3 | 3 | 1 | 11 |
| Hanell, Robert | 0 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 4 | 2 | 11 |
| Instrumentalkonzert | 0 | 0 | 0 | 0 | 1 | 2 | 8 | 0 | 0 | 0 | 11 |
| Konzert | 0 | 0 | 0 | 4 | 5 | 1 | 0 | 1 | 0 | 0 | 11 |
| Kunstlied | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 3 | 11 |
| Mahler, Gustav | 0 | 2 | 3 | 3 | 1 | 0 | 0 | 0 | 1 | 1 | 11 |
| Musikerziehung, Musiklehrbuch | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 3 | 2 | 1 | 11 |
| Operette | 1 | 1 | 3 | 1 | 0 | 0 | 1 | 0 | 2 | 2 | 11 |
| Operninszenierung | 7 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 11 |
| Unterhaltungsmusik | 0 | 5 | 2 | 0 | 0 | 1 | 0 | 0 | 1 | 2 | 11 |
| Chatschaturjan, Aram | 4 | 2 | 2 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 10 |
| Gerster, Ottmar | 1 | 3 | 1 | 0 | 3 | 0 | 1 | 1 | 0 | 0 | 10 |
| Kurzbach, Paul | 0 | 0 | 0 | 0 | 3 | 2 | 1 | 2 | 0 | 2 | 10 |
| Meiningen | 0 | 0 | 1 | 1 | 1 | 3 | 1 | 1 | 1 | 1 | 10 |
| Musikgeschichte, 16. Jh. | 0 | 0 | 2 | 2 | 0 | 0 | 0 | 3 | 0 | 3 | 10 |
| Musikgeschichte, 16./17. Jh. | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 4 | 2 | 10 |
| Musikinstrumente | 7 | 0 | 2 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 10 |
| Orff, Carl | 1 | 1 | 3 | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 10 |
| Singefähigkeit | 0 | 1 | 0 | 2 | 5 | 0 | 1 | 1 | 0 | 0 | 10 |
| Verdi, Giuseppe | 1 | 0 | 0 | 2 | 1 | 3 | 0 | 2 | 1 | 0 | 10 |
| Weber, Carl Maria von | 1 | 2 | 0 | 2 | 0 | 0 | 2 | 1 | 0 | 2 | 10 |
| Zechlin, Ruth | 0 | 2 | 0 | 0 | 0 | 0 | 4 | 0 | 3 | 1 | 10 |
| Zeitgenössische Oper | 1 | 0 | 0 | 9 | 0 | 0 | 0 | 0 | 0 | 0 | 10 |
| Deutsche Staatsoper Berlin | 0 | 9 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 9 |
| Filmmusik | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 5 | 2 | 9 |
| Gesamtausgaben | 9 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 9 |
| Heine, Heinrich | 0 | 3 | 1 | 1 | 2 | 0 | 0 | 1 | 1 | 0 | 9 |
| Hindemith, Paul | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 9 |
| Jena | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 9 |
| Kommunikationsforschung | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 | 2 | 2 | 9 |
| Monteverdi, Claudio | 0 | 4 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 9 |
| Musiktheater für Kinder | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 9 | 0 | 9 |
| Musiktheater, allgemein | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 6 | 9 |
| Musiktheater, heiteres | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 6 | 1 | 9 |
| Nachschlagewerke | 2 | 7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 9 |
| Populärwissenschaft | 0 | 0 | 0 | 0 | 0 | 0 | 7 | 1 | 1 | 0 | 9 |
| Reuter, Fritz | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 2 | 0 | 9 |
| Schulmusik | 9 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 9 |
| Sonate | 0 | 0 | 0 | 3 | 1 | 1 | 0 | 1 | 0 | 3 | 9 |
| Stiluntersuchung | 0 | 0 | 0 | 9 | 0 | 0 | 0 | 0 | 0 | 0 | 9 |
| Tonalität | 4 | 0 | 2 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 9 |
| Volksmusik | 3 | 0 | 0 | 1 | 1 | 0 | 1 | 2 | 0 | 1 | 9 |
| Arabische Musik | 0 | 1 | 1 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 8 |
| Arbeitergesang | 0 | 3 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 1 | 8 |
| Bach-Rezeption | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 2 | 3 | 8 |
| Beat | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 4 | 1 | 8 |
| Berg, Alban | 1 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 3 | 8 |
| Busch, Ernst | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 0 | 1 | 3 | 8 |
| Chrysander, Friedrich | 0 | 3 | 2 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 8 |
| Deutsche Demokratische Republik, Musikleben | 0 | 0 | 8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 8 |
| Finke, Fidelio F. | 1 | 2 | 1 | 0 | 2 | 0 | 1 | 0 | 1 | 0 | 8 |
| Gehörbildung | 2 | 2 | 3 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 8 |
| Gewandhaus-Orchester | 0 | 0 | 4 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 8 |
| Janáček, Leoš | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 4 | 1 | 0 | 8 |
| Katzer, Georg | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 4 | 2 | 8 |
| Keiser, Reinhard | 0 | 5 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 8 |
| Lohse, Fred | 1 | 2 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 1 | 8 |
| Luther, Martin | 4 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 8 |
| Musikkritik | 0 | 1 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 2 | 8 |
| Musikleben | 8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 8 |
| Musiktheater, Ästhetik | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 8 | 0 | 8 |
| Musiktheater, Theorie | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 7 | 1 | 8 |
| Orgelmusik | 0 | 1 | 1 | 0 | 1 | 0 | 1 | 2 | 1 | 1 | 8 |
| Rußland | 3 | 0 | 2 | 0 | 0 | 2 | 0 | 0 | 1 | 0 | 8 |
| Stimmbildung | 0 | 8 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 8 |
| Stimmuntersuchung | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 2 | 0 | 0 | 8 |
| Verlagsgeschichte | 0 | 0 | 0 | 8 | 0 | 0 | 0 | 0 | 0 | 0 | 8 |
| Vetter, Walther | 0 | 3 | 1 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 8 |
| Volksliedforschung | 0 | 2 | 1 | 1 | 0 | 0 | 2 | 2 | 0 | 0 | 8 |
| Werzlau, Joachim | 1 | 1 | 0 | 1 | 0 | 0 | 2 | 2 | 1 | 0 | 8 |
| Bühnenbild | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 3 | 0 | 7 |
| Debussy, Claude | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 1 | 0 | 7 |
| Deutsche Staatsoper | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 7 | 0 | 0 | 7 |
| Folklore | 2 | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 1 | 7 |
| Glauchau | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 7 |
| Goldmann, Friedrich | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 4 | 7 |
| Ikonographie | 3 | 0 | 2 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 7 |
| Jugendlied | 0 | 2 | 2 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 7 |
| Kirchenmusik | 0 | 3 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 7 |
| Klaviersonate | 0 | 0 | 0 | 0 | 2 | 1 | 2 | 1 | 0 | 1 | 7 |
| Lehrplangestaltung | 1 | 6 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 7 |
| Lortzing, Albert | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 5 | 0 | 1 | 7 |
| Maqam | 0 | 1 | 2 | 0 | 3 | 0 | 0 | 1 | 0 | 0 | 7 |
| Marsch | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 7 |
| Medek, Tilo | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 2 | 1 | 0 | 7 |
| Mendelssohn-Bartholdy, Felix | 2 | 1 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 7 |
| Methodologies | 7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 7 |
| Musikalisches Hören | 7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 7 |
| Musikbibliotheken | 0 | 0 | 0 | 1 | 5 | 0 | 1 | 0 | 0 | 0 | 7 |
| Musikerziehung, Westdeutschland | 1 | 0 | 1 | 2 | 1 | 0 | 0 | 2 | 0 | 0 | 7 |
| Musikgeschichte, 15./16. Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 4 | 7 |
| Musikgeschichte, 16. Jahrhundert | 0 | 7 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 7 |
| Musikgeschichte, Antike | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 7 |
| Musikgeschichte, römische | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 7 |
| Musikgeschichtsschreibung | 3 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 7 |
| Schneider, Max | 0 | 3 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 7 |
| Schubert, Franz | 2 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 1 | 7 |
| Schulz, Johann Abraham Peter | 0 | 1 | 1 | 1 | 3 | 0 | 1 | 0 | 0 | 0 | 7 |
| Schumann, Clara | 0 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 7 |
| Sprecherziehung | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 7 |
| Trexler, Georg | 0 | 0 | 2 | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 7 |
| Verband Deutscher Komponisten und Musikwissenschaftler | 2 | 0 | 2 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 7 |
| Analyse, Methodik | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 4 | 0 | 0 | 6 |
| Bartök, Bela | 0 | 0 | 0 | 0 | 6 | 0 | 0 | 0 | 0 | 0 | 6 |
| Bauernkrieg | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 6 | 6 |
| Chorsinfonik | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 4 | 0 | 0 | 6 |
| Chorwesen | 2 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 6 |
| Filmmusik, Geschichte | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 2 | 6 |
| Gassenhauer | 2 | 0 | 0 | 0 | 2 | 1 | 1 | 0 | 0 | 0 | 6 |
| Haydn, Joseph | 0 | 1 | 0 | 0 | 0 | 3 | 0 | 1 | 0 | 1 | 6 |
| Kaden, Richard | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 1 | 2 | 0 | 6 |
| Klaviermethodik | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 0 | 0 | 0 | 6 |
| Knepler, Georg | 1 | 2 | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 6 |
| Köhler, Siegfried | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 6 |
| Komische Oper Berlin | 0 | 6 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 6 |
| Krieger, Johann Philipp | 0 | 1 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 1 | 6 |
| Kuhnau, Johann | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 1 | 1 | 6 |
| Lenin, Wladimir Iljitsch | 0 | 0 | 0 | 0 | 4 | 2 | 0 | 0 | 0 | 0 | 6 |
| Liederbücher | 3 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 6 |
| Massenmedien | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 2 | 1 | 0 | 6 |
| Musikerziehung, Forschung | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 3 | 6 |
| Musikerziehung, Geschichte der | 0 | 1 | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 6 |
| Musikgeschichte, 17. Jahrhundert | 0 | 6 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 6 |
| Musikgeschichte, 18. Jh | 0 | 0 | 0 | 0 | 0 | 0 | 6 | 0 | 0 | 0 | 6 |
| Musikschulen | 2 | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 6 |
| Musikwissenschaft in der DDR | 6 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 6 |
| Mussorgski, Modest | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 6 |
| Nowka, Dieter | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 0 | 1 | 1 | 6 |
| Oktoberrevolution, Große Sozialistische | 0 | 6 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 6 |
| Opernpflege | 1 | 0 | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 6 |
| Sattler, Heinrich | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 6 |
| Schallplattenedition | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 3 | 1 | 6 |
| Schubert, Manfred | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 | 2 | 6 |
| Silbermann-Orgeln | 0 | 4 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 6 |
| Sonate für Klavier | 0 | 3 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 6 |
| Sonatenform | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 6 |
| Spielplangestaltung | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 6 |
| Stil | 1 | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 6 |
| Tanzmusik, Geschichte | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 1 | 1 | 1 | 6 |
| Thiele, Siegfried | 0 | 1 | 1 | 1 | 0 | 0 | 1 | 2 | 0 | 0 | 6 |
| Traditionslinien | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 4 | 6 |
| Verlagswesen | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 | 6 |
| Violine | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 6 |
| Volksmusikinstrumente | 0 | 3 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 6 |
| Wismar | 0 | 1 | 2 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 6 |
| Wohlgemuth, Gerhard | 1 | 1 | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 6 |
| Zwölftontechnik | 5 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 6 |
| Analytik | 0 | 0 | 0 | 3 | 0 | 2 | 0 | 0 | 0 | 0 | 5 |
| Arbeitermusikforschung | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 3 | 5 |
| Arie | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 5 |
| Ausbildungsstätten | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 |
| Balginstrumente | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 5 |
| Bruckner, Anton | 1 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 5 |
| Chanson | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 5 |
| China | 0 | 2 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 5 |
| Cilenšek, Johann | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 5 |
| Deutsche Demokratische Republik, Kulturpolitik | 0 | 0 | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 |
| Elektronische Datenverarbeitung | 2 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 5 |
| Empirische Untersuchungen | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 |
| Felsenstein, Walter | 0 | 2 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 1 | 5 |
| Gershwin, George | 0 | 1 | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 5 |
| Gewandhaus | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 1 | 5 |
| Gluck, Christoph Willibald | 1 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 5 |
| Grundlagenforschung | 2 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 |
| Hasse, Johann Adolf | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 5 |
| Herrmann, Peter | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 2 | 5 |
| Hörerziehung | 0 | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 |
| Hörphysiologie | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 5 |
| Informationstheorie | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 1 | 5 |
| Intonation, Instrumente | 1 | 0 | 0 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 5 |
| Jazz | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 |
| Kantaten | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 |
| Kategoriensystem | 2 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 5 |
| Klassik | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 5 |
| Kompositionstechnik | 3 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 |
| Kuba | 0 | 1 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 5 |
| Laienschaffen, künstlerisches | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 5 |
| Libretto | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 5 |
| Lied, 19. Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 2 | 5 |
| Magdeburger Telemann-Festtage | 0 | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 |
| Manierismus | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 0 | 5 |
| Marais, Marin | 1 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 5 |
| Mauersberger, Rudolf | 0 | 0 | 0 | 0 | 2 | 3 | 0 | 0 | 0 | 0 | 5 |
| Mendelssohn-Rezeption | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 1 | 5 |
| Meyerbeer, Giacomo | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 0 | 2 | 5 |
| Musikerziehung, BRD | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 2 | 0 | 5 |
| Musikerziehung, Unterrichtsmittel | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 5 |
| Musikerziehung, Vorschulerziehung | 0 | 4 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 |
| Musikgeschichte, allgem. | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 5 |
| Musikleben, 20. Jh. | 4 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 5 |
| Musikschaffen, bürgerliches | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 2 | 5 |
| Musikschaffen, Polen | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 5 |
| Musiktheater, UdSSR | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 4 | 5 |
| Mutation | 0 | 1 | 2 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 5 |
| Nono, Luigi | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 5 |
| Notation | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 5 |
| Oper, 18. Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 1 | 5 |
| Programmierung | 0 | 1 | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 1 | 5 |
| Reformation | 0 | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 |
| Renaissance | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 5 |
| Rhythmische Erziehung | 1 | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 |
| Schenker, Friedrich | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 3 | 5 |
| Spieltechnik | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 5 |
| Strauss, Richard | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 2 | 5 |
| Strauß, Wolfgang | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 | 1 | 0 | 5 |
| Suite | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 1 | 5 |
| Thüringen | 0 | 1 | 3 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 5 |
| Tschaikowski, Peter Iljitsch | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 | 0 | 5 |
| Ungarn | 0 | 0 | 5 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 |
| Vibrato | 1 | 0 | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 5 |
| Vivaldi-Forschung | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 5 |
| Werttheorie | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 1 | 5 |
| Westdeutschland | 2 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 |
| Wort-Ton-Verhältnis | 4 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 5 |
| Akkordeon | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 4 |
| Arbeiterfestspiele | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 4 |
| Bachbild | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 4 |
| Barockoper | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
| Becher, Johannes R. | 1 | 1 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 4 |
| Becher, Johannes Robert | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 4 |
| Beethoven-Interpretation | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 4 |
| Begabung, musikalische | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
| Berlioz, Hector | 1 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 4 |
| Bibliotheken | 0 | 0 | 3 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 4 |
| Blockflöte | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 4 |
| Bredemeyer, Reiner | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 4 |
| Busoni, Ferruccio | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 4 |
| Chor | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
| Chorsingen | 1 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
| Deutscher Sängerbund | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
| Domhardt, Gerd | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 4 |
| Egk, Werner | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 4 |
| Erbekonzeption | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 1 | 4 |
| Fähigkeiten, musikalische | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
| Fernsehmusik | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 1 | 4 |
| Gattung, musikalische | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 | 4 |
| Georg-Friedrich-Händel-Gesellschaft | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
| Gesangspädagogik | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
| Gestaltungsprinzipien | 3 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
| Griesbach, Karl-Rudi | 0 | 2 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 4 |
| Grimma | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 4 |
| Hallische-Händel-Festspiele | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
| Händel-Forschung | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 4 |
| Händeloper | 2 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
| Hasse, Nicolaus | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 4 |
| Hauptmann, Moritz | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 4 |
| Hertel, Johann Wilhelm | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 4 |
| Hornbostel, Erich M. von | 0 | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 4 |
| Impressionismus | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 4 |
| Introduktion | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 4 |
| Jugendmusikbewegung | 2 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 4 |
| Kommunikation | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 1 | 4 |
| Kommunikationstheorie | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 4 |
| Kritische Berichte | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
| Leo, Leonardo | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 | 4 |
| Lied, 20. Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 4 |
| Melodram | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 4 |
| Metastasio, Pietro | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 | 4 |
| Musik-Biennale-Berlin | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
| Musikalische Strukturen | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
| Musikästhetik, bürgerliche | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 4 |
| Musikbeziehungen, deutsch-sowjetische | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
| Musikerziehung, Unterstufe | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
| Musikfilm | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 4 |
| Musikgespräch | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 4 |
| Musikhochschulen | 0 | 1 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
| Musikinstrument | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 1 | 0 | 0 | 4 |
| Musikkultur, 19. Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 0 | 4 |
| Musikschaffen, ČSSR | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 1 | 4 |
| Musikschaffen, Ungarn | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 | 4 |
| Musiktheater, Öffentlichkeitsarbeit | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 4 |
| Musiktheater, Rezeption | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 4 |
| Musische Bildung | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
| Odd, Conny | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 4 |
| Oettingen, Arthur von | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 1 | 0 | 0 | 4 |
| Programmatik | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 4 |
| Realismus, klassischer | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 1 | 4 |
| Reformationszeit | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
| Reger-Forschung | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 4 |
| Reinhold, Otto | 0 | 1 | 1 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 4 |
| Rezeption | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 4 |
| Riemann, Hugo | 1 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 4 |
| Schulmusik, Allgemeine polytechnische Oberschule | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
| Sinfonik, Sowjetunion | 0 | 0 | 0 | 0 | 0 | 0 | 4 | 0 | 0 | 0 | 4 |
| Singen | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
| Sololied, klavierbegleitetes | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
| Sozialpsychologie | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 4 |
| Spies, Leo | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 4 |
| Stendal | 1 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
| Stimmung | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
| Stimmuntersuchungen | 0 | 1 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
| Struktur | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
| Theaterzettelsammlung | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 4 |
| Verlagswesen, Geschichte | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 | 4 |
| Volkskunstschaffen, DDR | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 | 4 |
| Volkslieder | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
| Volkstant | 0 | 0 | 4 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 4 |
| Wefelmeyer, Bernd | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 1 | 4 |
| Wenzel, Hans Jürgen | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 | 0 | 4 |
| Wenzel, Hans-Jürgen | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 | 4 |
| Weyrauch, Johannes | 0 | 0 | 1 | 1 | 0 | 1 | 1 | 0 | 0 | 0 | 4 |
| Ägypten | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Arbeiterlied, Geschichte | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 3 |
| Arbeitermusikkultur | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 3 |
| Ästhetik | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 3 |
| Bartok, Béla | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Begabungsdiagnostik | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Besseler, Heinrich | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 3 |
| Bewußtseinsbildung | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Bezirksmusikkonferenzen | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 3 |
| Bildung, musische | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 3 |
| Biographie | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 3 |
| Bitterfelder Weg | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Chorbewegung, sozialistische | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 3 |
| Cilenlek, Johann | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 3 |
| Deutsche Demokratische Republik, Musikkultur | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Deutschland | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Dietrich, Karl | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 3 |
| Dodekaphonie | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 3 |
| Dokumentation, musikalische | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Dufay, Guillaume | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 3 |
| Elektroakustik | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 3 |
| Fernsehfilmmusik | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 3 |
| Finale | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 3 |
| Finke, Fidelio | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 | 3 |
| Formenlehre | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Gesellschaftstanz | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 3 |
| Goethe, Johann Wolfgang von | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 |
| Hallische-Händel-Ausgabe | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Hamburg | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 1 | 3 |
| Hanslick, Eduard | 0 | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 |
| Hartmann, Eduard von | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 3 |
| Hasse, Nikolaus | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 3 |
| Hegel, Georg Wilhelm Friedrich | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 1 | 0 | 0 | 3 |
| Hertel, Johann Christian | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 3 |
| Hohensee, Wolfgang | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 3 |
| Homilius, Gottfried August | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 3 |
| Hörfähigkeit | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 3 |
| Hörspielmusik | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 3 |
| Hübschmann, Werner | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 |
| Improvisation, instrumentale | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 3 |
| Intermezzo | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Intonation, Singstimme | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 3 |
| Intonationstheorie | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 |
| Janácek, Leos | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 3 |
| Kataloge | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Kocor, Korla Awgust | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 3 |
| Kontrapunkt | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Laienmusikschaffen | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Lehrmaterial | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Lehrwerke | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Lesser, Wolfgang | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 3 |
| Liedersammlungen | 0 | 2 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Lipps, Theodor | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 3 |
| Melodiebewußtsein | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Melodik | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 3 |
| Münnich, Richard | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 3 |
| Musikalität | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Musikästhetik, spätbürgerliche | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 3 |
| Musikerziehung, außerschulische | 0 | 1 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 3 |
| Musikerziehung, Begabungsdiagnostik | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 3 |
| Musikerziehung, Laienschaffen | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 3 |
| Musikerziehung, Musikhören | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 3 |
| Musikerziehung, Schulfeiern | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 3 |
| Musikerziehung, vokale | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 3 |
| Musikgeschichte, 15. Jh. | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 3 |
| Musikgeschichte, griechische | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Musikgeschichte, Mittelalter | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 3 |
| Musikhochschule | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 3 |
| Musikinstrumentenmuseum | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 3 |
| Musikkultur, Sowjetunion | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 0 | 0 | 3 |
| Musikkultur, UdSSR | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 3 |
| Musikleben, 19. Jh. | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Musikwissenschaft, Theorie der | 0 | 2 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Musikwissenschaftliche Institutionen | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Oistrach, David | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 3 |
| Oper, 20. Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 3 |
| Oper, Geschichte 17. Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 3 |
| Oper, Geschichte 19. Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 3 |
| Oper, Komische | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 3 |
| Opernregie | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 3 |
| Opitz, Martin | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 3 |
| Österreich | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Persönlichkeitsbildung | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Philharmonie | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 3 |
| Pohle, David | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 0 | 3 |
| Praetorius, Michael | 1 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 |
| Psychologie | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 | 3 |
| Quellennachweis | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Reichardt, Johann Friedrich | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 1 | 3 |
| Restauration, Denkmäler | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 3 |
| Rolland, Romain | 0 | 1 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 3 |
| Rudolph, Johanna | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 | 0 | 3 |
| Sachsen | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 |
| Scarlatti, Alessandro | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 | 3 |
| Schulmusik, Unterstufe | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Schweitzer, Albert | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 3 |
| Staatskapelle Dresden | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 3 |
| Staatstheater Dresden | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Strawinsky, Igor | 2 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 3 |
| Stschedrin, Rodion | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 1 | 3 |
| Sturm und Drang | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 1 | 0 | 0 | 3 |
| Tanzkunst | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 3 |
| Theaterzettelsammlungen | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 1 | 0 | 3 |
| Tierpsychologie | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 |
| Transkription | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Venedig | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 1 | 3 |
| Verhaltensforschung | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 |
| Vokalmusik, englische | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 1 | 3 |
| Volkelt, Johannes | 0 | 0 | 1 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 3 |
| Volksliedarchiv | 0 | 1 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Volksliedkunde | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Volksliedsammlung | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 3 |
| Volksmuaikforschung | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 3 |
| Wagner-Regény, Rudolf | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 3 |
| Webern, Anton | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 3 |
| Weismann, Wilhelm | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 |
| Weiss, Manfred | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 | 0 | 0 | 3 |
| Wernigerode | 0 | 0 | 1 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 3 |
| Widerspiegelung | 2 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 3 |
| Wort-Ton-Beziehung | 0 | 0 | 0 | 0 | 0 | 3 | 0 | 0 | 0 | 0 | 3 |
| Abert, Hermann | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Affektenlehre | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
| Agogik | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 |
| Akzeleration | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Arbeiterklasse | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 |
| Arbeiterliedarchiv | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 |
| Arbeitermusikbeweaung | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 |
| Archiv | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 |
| Arguto, Roseberry d' | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 |
| Asriel, Andre | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 |
| Äthetik, marxistische | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 |
| Ausdrucksmittel | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Avantgardismus | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 |
| Bach-Bibliographie | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 |
| Bach, Johann Bernhard | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 |
| Bachedition | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 |
| Ballettmusik | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 |
| Bartel, Hans Christian | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Bartók, Bela | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 |
| Bearbeitungsfragen | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Beethoven-Pflege | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 |
| Bildzeugnisse | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Braunschweig | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
| Breitkopf & Härtel | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Brendel, Franz | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Burney, Charles | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 |
| Bush, Alan | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 |
| Busoni, Ferrucio | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Buxtehude, Dietrich | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 |
| Caldara, Antonio | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 |
| Chopin, Frederic | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 |
| Chopin, Fryderyk | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 |
| Choral | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Chorbewegung, sorbische | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 |
| Chrysander, K. F. F. | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Cilensek, Johann | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 |
| Conradi, Johann Georg | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 |
| Conti, Francesco Bartolommeo | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 |
| Crasselius, Bartholomäus | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 |
| ČSSR | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| David, Johann Nepomuk | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 |
| Dessau | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
| Distler, Hugo | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 2 |
| Donizetti, Gaetano | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 |
| Dynamik | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 |
| Engels, Friedrich | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 |
| Entwicklungspsychologie | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 |
| Essay | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Fagott | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 |
| Faksimile-Ausgaben | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Faktorenanalyse | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Faktoronanalyse | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Fernsehen | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 |
| Filmmusik, DDR | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 |
| Finalproblem | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
| Forkel, Johann Nikolaus | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 |
| Form, musikalische | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
| Frankreich | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Fredrich, Günter | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 2 |
| Frühaufklärung | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
| Funktion | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Funktionalität | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Fürnberg, Louis | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Fux, Johann Joseph | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 |
| Gambe | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 2 |
| Gasparini, Francesco | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 |
| Gesangslehren | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Gestaltungsmittel, musikdramaturgische | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 |
| Gitarre | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 |
| Gitarrenliteratur | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Goldoni, Carlo | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 |
| Goldschmidt, Harry | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 |
| Görner, Hans-Georg | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
| Grétry, André Ernest Modeste | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 |
| Grieg, Edvard | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 |
| Hainbund | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
| Hallische Händel-Ausgabe | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Händel-Bibliographie | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Henze, Hans Werner | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 |
| Henze, Werner | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Hephaistion | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
| Hertel, Thomas | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 |
| Hohonsee, Wolfgang | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Hübner, Wilhelm | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 |
| Instrumentation | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 |
| Instrumentenkunhe | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Instrumentonkunde | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Internationale | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 |
| Interpretation, Theorie | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 |
| Italien | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Jung, Helge | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 |
| Kabalewski, Dmitri | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 | 2 |
| Kampflied | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Kantscheli, Gija | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 |
| Katalog | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Kinderlied | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 |
| Kinderoper | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 |
| Kirchenlied | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 |
| Kitsch | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Klassizismus | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 |
| Klavierbau | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
| Klavlerspiel | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Klopstock, Friedrich Gottlieb | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 |
| Koch, Helmut | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 |
| Komitas | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 |
| Komposition | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Konzert, für Cembalo | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Krebs, Johann Ludwig | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
| Krebs, Johann Tobias | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
| Kretzschmar, Hermann | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
| Kulturtheorie | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Kunst, Bildende | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 |
| Kuntzen, Adolf Carl | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
| Kuntzen, Johann Paul | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
| Kybernetik | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 |
| Laux, Karl | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 |
| Legrenzi, Giovanni | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 |
| Lehar, Franz | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 |
| Lehrerbildung | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Leimert, Volkmar | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 |
| Loewe, Carl | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 2 |
| Lully, Jean Baptiste | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 |
| Lully, Jean-Baptiste | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 |
| Lutoslawski, Witolt | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 |
| Marschner, Heinrich August | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 |
| Marx, Karl | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
| Massenlied, sowjetisches | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 |
| Melodielehre | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Methoden, empirische | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Minnesang | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 |
| Mittelalter | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 |
| Mizler, Lorenz | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 |
| Mizler, Lorenz Christoph | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Mozart-Rezeption | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 |
| Musik-Biennale | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 |
| Musik, sorbische | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 |
| Musikalische Berufsausbildung | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Musikalischer Fortschritt | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Musikbeziehungen, deutsch-sowjet. | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Musikbibliothek | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 |
| Musikerlebnis | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Musikerziehung, Berufsausbildung | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 |
| Musikerziehung, Lehrausbildung | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 |
| Musikerziehung, Lehrplangestaltung | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 |
| Musikerziehung, Lehrplanwerk | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 |
| Musikerziehung, Persönlichkeitsbildung | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 |
| Musikerziehung, Schulmusik | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
| Musikgeschichte, 13.-16. Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
| Musikgeschichtsforschung, marxistische | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 |
| Musikkultur, allgemein | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 |
| Musikleben, BRD | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 |
| Musikleben, Sowjetunion | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 |
| Musiklehrbuch | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Musikpolitik | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Musikpsychiologie | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 |
| Musikschaffen, Bulgarien | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
| Musikschaffen, CSSR | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 |
| Musikschaffen, Italien | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
| Musikschaffen, sorbisches | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 |
| Musikschaffen, spätbürgerliches | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 |
| Musikschulwerke | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Musiktheater, außereuropäisches | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 |
| Musiktheater, CSSR | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 |
| Musiktheater, Dramaturgie | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 |
| Musiktheater, Wirkungsgeschichte | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 |
| Musiktheorie, Antike | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 |
| Musikwissenschaft, Geschichte | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 |
| Musikwissenschaft, systematische | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Musikwissenschaft, Systematisierung | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 |
| Neef, Wilhelm | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 |
| Neefe, Christian Gottlob | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 |
| Neubert, Günter | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 |
| Noll, Dieter | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 |
| Notendruck | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Notowicz, Nathan | 0 | 0 | 1 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 2 |
| Offenbach, Jaques | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Oktoberrevolution, Große Sozial. | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Oper, Geschichte 16. Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 |
| Oper, Geschichte 18. Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 2 |
| opéra comique | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 |
| Opera seria | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 |
| Operette, französische | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
| Opernschaffen DDR | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 |
| Orgel, | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 |
| Orgelinventarisierung | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Passion | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Peking-Oper | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Permutation | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Personalstil | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Petzoldt, Richard | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 2 |
| Pfitzner, Hans | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 2 |
| Pieck, Wilhelm | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 |
| Pischner, Hans | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 |
| Pisendel, Johann Georg | 1 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
| Polarismus | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Polen | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Psychologie, Schaffenstheorie | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 |
| Rachmaninow, Sergej | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 |
| Racine, Jean | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 |
| Raphael, Günter | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 2 |
| Reclams Universal Bibliothek | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Reformationslied | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Reger-Rezeption | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 |
| Reprise | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Rezeptionskunde | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 |
| Rhythmik | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Robeson, Paul | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 2 |
| Rostocker Liederbuch | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Saupe, Christian Gottlob | 0 | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
| Schallplattenbesprechung | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 |
| Schindler, Anton | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 2 |
| Schmidt, Eberhard | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 |
| Schulhoff, Erwin | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 2 |
| Schulmusik, Außerschulische Einziehung | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Schulmusik, Oberstufe | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Schumannforschung | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Schwerin | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Seiffert, Max | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 |
| Semantik | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 |
| Shakespeare, William | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 2 |
| Siegmund-Schultze, Walther | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Singefähiakeit | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 |
| Singeprozeß | 0 | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Singspiel, zeitgenössisches | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 |
| Skrjabin, Alexander | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 |
| Smetana, Bedrich | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 | 0 | 2 |
| Sonate für Violine | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Song | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Sozialistische Kulturrevolution | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Spezialschulen für Musik | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Spinett | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
| Spohr, Louis | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 |
| Stockhausen, Karlheinz | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 2 |
| Streichinstrumente | 1 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Sturm-und-Drang | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
| Subharchord | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Syrien | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 |
| Szymanowski, Karol | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 2 |
| Tanz, polnischer, Geschichte | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 |
| Telemann-Pflege | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 2 |
| Telemannpflege | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 |
| Theaterdokumentation, DDR | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 |
| Thema | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Thurm, Hans Joachim | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 |
| Thurm, Joachim | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 0 | 2 |
| Triosonate | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
| Typ | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Unterrichtsmittel | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Unterrichtstonbänder | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Vibration | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Violinspiel, Geschichte | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Virginal | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 | 2 |
| Vokalmusik | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 |
| Vokalslnfonik | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Volkskunstschaffen | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 |
| Volksmusikforschung | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Volksmusikinstrumenteforschung | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Volkstanz | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 2 |
| Volkstanzforschung | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 2 |
| Wagner, Georg Gottfried | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 2 |
| Weill, Kurt | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 2 |
| Weimann, Wilhelm | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 |
| Weißenfels | 0 | 0 | 0 | 1 | 1 | 0 | 0 | 0 | 0 | 0 | 2 |
| Werkästhetik | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 0 | 2 |
| Wertästhetik | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 |
| Zechlln, Ruth | 0 | 0 | 2 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 |
| Zeno, Apostolo | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 2 | 2 |
| Ziani, Pietro Andrea | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 | 2 |
| Abel, Clamor Heinrich | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Adaption | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Adlung, Jakob | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Agricola, Johann Friedrich | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Akademie der Künste der DDR | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Almenräder, Carl | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Altenburg, Johann Ernst | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Altmark | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Anacker, August Ferdinand | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Anacker, August Wilhelm | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Analyse, semantische | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Arbeiterbewegung | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Arbeiterchorbewegung | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Arbeiterinstrumentalmusik | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Arbeiterlied, Forschung | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Arbeiterliedforschung | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Arbeitermusikolympiade | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Arbeitersänger | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Arbeitersängerbewegung, Geschichte | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Arbeitersinfonieorchester | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Arnold, Irmgard | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Asmus, Rudolf | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Asriel, André | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Ausdruckscharakter | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Bach-Dokumente | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Bach-Interpretation | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Bach, Carl Philipp Emanuel | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Bach, Johann | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Bach, Johann Christoph | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Bachehrung | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Badinski, Nikolai | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Balázs, Béla | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Balsys, Eduardas | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Bänkelsang | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Bärmig, Johann Gotthilf | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Barth, Christian Samuel | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Barth, Friedrich August Wilhelm | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Beethoven-Belletristik | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Beethoven-Bild, spätbürgerliches | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Beethoven-Ehrung | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Beethoven-Forschung | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Beethoven-Kongreß | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Beethoven-Rezeption, spätbürgerliche | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Benda, Georg | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Bergmannslied | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Berliner Sinfonie-Orchester | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Bertau, Karl Heinrich | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Berwald, Franz | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Bianchi, Antonio | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Biber, Heinrich Ignaz Franz | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Bibliothek | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Biedermeier | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Biefeld, Alfred | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Biefeld, Karl | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Bildhaftigkeit | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Bildung, musikalische | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Bimberg, Siegfried | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Bizet, Georges | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Black-Box-Methode | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Blasmusik | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Blues | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Bobrowski, Johannes | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Bockelmann, Rudolf | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Böhm, Georg | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Böhm, Karl | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Bongartz, Heinz | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Bononcini, Antonio | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Bononcini, Giovanni | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Bordoni, Faustina | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Borodin, Alexander | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Bouilly, Jean Nicolas | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Bourdon | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Bräutigam, Helmut | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Britten, Benjamin | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Brock, Hella | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Bruns, Victor | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Budapest | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Buffooper | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Bulgarien | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Burkhard, Willy | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Bush, Alan Dudley | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Büttner, Paul | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Buttstädt, Johann Heinrich | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Buzko, Juri | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Bydgoszcz | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Campanella, Thomas | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Carillon | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Carissimi, Giacomo | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Cavalli, Franceso | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Chemnitz (Karl-Marx-Stadt) | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Cholminow, Alexander | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Choreographie | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Chorerziehuna | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Chorkantate, politische | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Chormusik, geistliche | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Codierung | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Collum, Herbert | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Contertanz | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Cornelius, Peter | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Cottbus | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Couplet | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Cristofori, Bartolomeo | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| d'Arguto, Rosebery | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| da Ponte, Lorenzo | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Darbietungsmusik | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Datenverarbeitung | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Datenverarbeitung, elektronische | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Davidsbund | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Dehn, Michael | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Dehnert, Max | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Deicke, Günther | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Dennewitz, Reiner | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Deutsche Demokratische Republik, Musikerziehung | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Deutsche Demokratische Republik, Musikschaffen Musikwissenschaft | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Diabelli, Anton | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Dingelstedt, Franz | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Diskothek | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Distribution | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Dokumentensammlungen | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Donati, Familie | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Donati, Johann Gottfried | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Draghi, Antonio | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Drehorgel | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Drehorgel, Geschichte | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Dresdner Philharmonie | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Dubjanski, Fjodor | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Dvorák, Antonin | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Dvořák, Antonin | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Eberlin, Daniel | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Eisenstein, Sergej | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Eisler-Pflege | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Elektrooptische Untersuchungen | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Elektrophone | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Enders, Werner | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| England | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Entfremdung | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Erbepflege | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Erdmann, Günther | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Erkenntnistheorie | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Erwachsenenbildung | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Eschpai, Andrej | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Experimentalforschung | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Fasch, Johann Friedrich | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Fauxbourdon | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Feind, Barthold | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Fernsehspielmusik | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Fidelio | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Figuration | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Figurenkonzeption | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Film, Dramaturgie | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Filmmusik, Dokumentarfilm | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Filmmusik, Dramaturgie | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Filmmusik, Fernsehen | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Filmmusikschaffen, DDR | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Flamenco | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Fleming, Paul | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Florenz | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Folklore, polnische | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Forschungsorganisation | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Fortschritt, musikalischer | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Franck, Cesar | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Französische Revolutionsmusik | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Fraureuth | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Freiberg/Sachsen | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Freiheit, Peter | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Freizeitgestaltung | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Gabriel, Giovanni | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Gabrieli, Giovanni | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Gabunja, Nodar | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Gattung, literarische | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Gattung, musikalische, Geschichte | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Gerber, Christian | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Gerster Ottmar | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Gesangsstil | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Gestaltungsmittel | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Gestaltvariation | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Gewandhaus-Orchester Leipzig | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Glinka, Michail | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Gluck-Rezeption | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Gossec, Franqois Joseph | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Göttinger Hainbund | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Gottsched, Johann Christoph | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Grabs, Hanfred | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Grabs, Manfred | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Graun, Carl Heinrich | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Gretry, Andre Ernest Modeste | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Grocheo, Johannes de | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Grosch, Georg | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Gründgens, Gustav | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Grundig, Johann Zacharias | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Gryphius, Andreas | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Günther, Anton | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Haas, Joseph | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Hába, Alois | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Hacks, Peter | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Halévy, Jacques Fromental | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Händel-Gesellschaft | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Händel-Rezeption | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Handschriftenforschung | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Handschriftenkatalog | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Handschriftenrestauration | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Hanns-Eisler-Archiv | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Hanslick, Eduard von | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Härspielmusik | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Hartmann, Karl Amadeus | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Hasse, Johann Adolph | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Haßler, Leo | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Haydn-Forschung | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Haydn-Rezeption | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Hebenstreit, Pantaleon | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Heidegger, Martin | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Heinrich von Morungen | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Helbig, Johann Friedrich | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Hensel, Walther | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Herder, Johann Gottfried von | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Heretorieutik | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Hermann, Lilo | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Hermeneutik | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Herz, Joachim | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Hessenberg, Kurt | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Hiller, Johann Adam | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Himmel, Friedrich Heinrich | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Hoffmann, Ernst Theodor | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Hoffmann, Ernst Theodor Amadeus | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Hollan-Raupp, Lubina | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Homilius, August | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Homillus, Gottfried August | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Höraufgabe | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Horn | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Husserl, Edmund | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Hymnologie | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Indien | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Indonesien | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Indy, Vincent d^#[2019] | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Information u. Dokumentation | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Informattonstheorie | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Instrumentalmusik, Violoncello | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Instrumentalunterricht | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Instrumentarium | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Instrumentenbau, Geschichte | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Instrumentenbau(er) | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Instrumentenkunde, Geschichte | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Interpretation, Gesang | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Interpretationspraxis | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Intonationsbegriff | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Ives, Charles | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Iwanow, Iwan | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Janaček, Leoš | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Jara, Victor | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Java | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Jiddische Musik | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Jugendbewegung | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Jugendmusik | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Jugoslawien | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Kabarett | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Kabarett, deutsches | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Kaden, Werner | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Kampflied, internationales | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Kampfmusik | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Kanon | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Kantatentexte | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Karadzic, Vuk | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Karg-Elert, Sigfrid | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Karnauke, Kurt | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Katalogisierung | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Kellner, Johann Peter | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Kestenberg, Leo | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Kierkegaard, Sören | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Kindermusik | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Kirnberger, Johann Philipp | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Klanghafttafeln, elektronische | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Klangkunst, elektronische | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Klarinette | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Klavierkonzert | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Knab, Armin | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Knauer, Jürgen | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Koály, Zoltán | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Kodály, Zoltán | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Kodäly, Zoltcin | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Ködderitsch, Uwe | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Komma | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Kommerzialisierung | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Komplexität | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Kongreßbericht | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Konservatorium | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Konzert, für Klavier | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Konzert, für Orchester | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Konzert, für Violine | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Konzertplan | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Konzertplananalyse | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Konzertplangestaltung | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Konzertwesen | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Kozlowski, Józef | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Krause-Graumnitz, Heinz | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Krause, Ernst | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Kretschmer, Hermann | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Kreuzchor | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Krieger, Philipp | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Kultur, sozialistische | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Kulturtheorie, bürgerliche | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Kulturtheorie, sozialistische | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Kulturtheorin | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Kunstästhetik | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Kunstgeschichte, 16./17. Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Kunstrezeption | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Laienbildung | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Laienschaffen | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Lateinamerika | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Lee, Sebastian | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Lehrbücher | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Lehrmittel | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Lehrsysteme, musiktheoretische | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Leibnitz, Gottfried Wilhelm | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Leipziger Konservatorium | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Leitmotiv | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Liebknecht, Karl | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Lied, neues chilenisches | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Lieder gegen den Faschismus | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Liedersammlung | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Liedkanzone | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Lingen, Hermann Ulrich von | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Link, Joachim Dietrich | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Lischka, Rainer | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Literaturgeschichte, 16./17. Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Literaturgeschichte, 18. Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Locatelli, Pietro Antonio | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Locke, John | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Lokalisationsschärfe | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Lomnitzer, Helmut | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| London | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Losse, Paul | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Lotti, Antonio | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Lutosiawski, Witold | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Lutoslawski, Witold | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Luxemburg, Rosa | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Lwow, Nikolai Alexandrowitsch | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Machaut, Guillaume | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Madrigal | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Majakowski | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Majakowski, Wladimir | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Malige, Fred | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Mann, Thomas | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| maqām | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Maqām | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Marach | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Marals, Marin | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Masanetz, Guido | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Massenet, Jules | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Matjapat-Lieder | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Mattheson, Johann | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Medienkonzeption | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Mehrstimmigkeit | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Meiningen, Hof- u. Landeskapelle | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Meißner, Christian Gottlob | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Melodieregel | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Mempell, Johann Nikolaus | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Mendelssohn-Bild | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Menuett | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Metrensystem, griechisches | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Metrik | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Metronom | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Metrum | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Michelangelo Buonarroti | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Militärmusik | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Minnegesang | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Mitteilungsdichte | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Modellmethode | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Moltschanow, Kyrill | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Monochord | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Monodie | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Monsigny, Pierre Alexandre | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Morton, Robert | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Morus, Thomas | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Motette | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Motiv | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Motivarbeit | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Motivation | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Mozart-Bild | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Mozart, Leopold | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Mozartforschung | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Müller-Medek, Tilo | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Müller, Gerhild | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| München | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Münchner Opernfestspiele | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Musik und Dichtung | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Musik, elektronische | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Musik, experimentelle | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Musik, Ungarn | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Musikalienhandel | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Musikalische Fähigkeiten | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Musikalischeir Schaffensprozeß | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Musikästhetik, Antike | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Musikästhetik, Methodik | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Musikbühne | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Musikdrama | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Musikedition | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Musikerziehung, Begabungstheorie | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Musikerziehung, bürgerliche | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Musikerziehung, Chorarbeit | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Musikerziehung, Information | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Musikerziehung, Kinderkrippe | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Musikerziehung, Lehrerbildg. | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Musikerziehung, Mittelstufe | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Musikerziehung, Mongolei | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Musikerziehung, Musikhochschule | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Musikerziehung, Musizieren schulpraktisches | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Musikerziehung, Musizieren, schulpraktisches | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Musikerziehung, Schul- u. Jugendkonzert | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Musikerziehung, Stimmbildung | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Musikerziehung, UdSSR | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Musikerziehung, Ungarn | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Musikerziehung, Weiterbildg. | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Musikfest, 20. Jh. | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Musikgeschichte | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Musikgeschichte, 11.-14. Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Musikgeschichte, 13. Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Musikgeschichte, 14. Jh. | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Musikgeschichte, 15. Jahrhundert | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Musikgeschichte, 15. Jh | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Musikgeschichte, 16.-20. Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Musikgeschichte, 17./18 Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Musikgeschichte, 18.-20. Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Musikgeschichte, BRD | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Musikgeschichte, Niederlande | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Musikgeschichte, Periodisierung | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Musikgeschichte, sorbische | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Musikgeschichte, Sowjetunion | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Musikgeschichte, UdSSR | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Musikgeschichtsforschung, allgemein | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Musikhistoriographie | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Musikhistoriographie, Geschichte | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Musikinstrument, Struktur | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Musikinstrumentensammlungen | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Musikkultur, Mongolei | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Musikkultur, spätbürgerliche | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Musikleben, 18.-20. Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Musikleben, Berlin | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Musikleben, Kambodscha | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Musikleben, Mongolei | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Musikleben, Rußland | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Musikperiodika | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Musikschaffen, 19. Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Musikschaffen, England | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Musikschaffen, Kambodscha | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Musikschaffen, Mongolei | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Musikschaffen, Norwegen | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Musikschaffen, sakrales | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Musikschaffen, SU | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Musikschule | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Musiktheater, 18. Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Musiktheater, 19. Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Musiktheater, Aufführungspraxis | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Musiktheater, bürgerliches | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Musiktheater, ČSSR | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Musiktheater, Dokumentation | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Musiktheater, Funktion | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Musiktheater, für Kinder | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Musiktheater, Gattungsspezifik | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Musiktheater, Konzeption | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Musiktheater, Kritik | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Musiktheater, Polen | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Musiktheater, Schweden | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Musiktheater, zeitgen. | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Musiktheorie, griechische | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Musiktherapie, Geschichte | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Musiktherapie, Methodik | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Musikunterricht | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Musikunterricht, programmierter | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Musikverlag, Geschichte | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Musikverlage | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Musikwissenschaft, Methodologie der | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Musikwissenschaft, Ungarn | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Nagel, Jean Paul | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Naher, Caspar | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Nationale Schulen | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Natschinski, Gerd | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Neher, Caspar | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Neidhard von Reuenthal | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Nellesen, Hermann Joseph | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Neruda, Pablo | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Neuerertum | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Neumeister, Erdmann | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Nikisch, Arthur | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Nocker, Hanns | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Norddeutschland | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Notationskunde | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Nourrit, Adolphe | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Novemberrevolution | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Obertöne | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Oboe d'amore | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Odoeyvskij, Vladimir Fëdorovic | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Odojewski, Wladimir Fjodorowitsch | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Oktoberklub | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Oper im Funk | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Oper, außereuropäische | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Oper, für Kinder | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Oper, Geschichte 17./18. Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Oper, Geschichte, 17. Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Oper, Geschichte, 18.Jh | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Oper, Geschichte, 20. Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Oper, neapolitanische | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Oper, venezianische | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Opera buffa | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| opera seria | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Opernbühnen | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Operninszenierung u. Interpretation | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Opernlibretto | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Opernschaffen | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Orgel, Geschichte | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Orgelbau, Geschichte | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Orgelgeschichte | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Orgelspiel, Methodik | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Ortega, Sergio | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Pachelbel, Johann | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Paisiello, Giovanni | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Pajet, Louis Leon | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Palestrina, Giovanni Pierluigi | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Palestrina, Giovanni Plerluigi da | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Pallavicini, Carlo | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Paris | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Parodieverfahren | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Parra, Violeta | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Penderecki, Krystof | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Pepptag, Ernst | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Pergolesi, Giovanni Battista | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Petit, Jean Charles | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Petrow, Andrej | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Pezold, Hans | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Pick, Karl-Heinz | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Pietsch, Wolfgang | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Pilk, Jurij | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Pionierlied | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Pollaro, Carlo | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Polyphonie | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Prager Frühling | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Pragmatik | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Preller, Johann Gottlieb | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Prerow | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Programmmusik | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Psellos, Michael | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Psychotherapie | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Puccini, Giaccomo | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Puccini, Giacomo | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Pullois, Jean | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Quantz, Johann Joachim | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Quedlinburg | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Rameau, Jean-Philippe | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Ravel, Maurice | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Rebling, Eberhard | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Reda, Siegfried | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Regerpflege | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Repertoiregestaltung | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Restauratoren-Ausbildung | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Reuter, Otto | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Revolution, Französische | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Revolutionsbewegung, frühbürgerliche | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Rezeptionsforschung, Tanz | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Rezeptionsfragen | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Rezeptionsgefälle | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Rezitativo secco | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Rhaw, Georg | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Rinski-Korsakow, Nikolai | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Rintel, Wilhelm | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Rock | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Rokha, Pablo de | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Rom | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Romantische Oper | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Romanze | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Rondo | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Rosebery d'Arguto | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Rosenmüller, Johann | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Rossini, Gioacchino | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Röttger, Heinz | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Rumänien | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Sachs, Curt | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Sachse, Hans Wolfgang | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Saint-Saëns, Camille | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Salieri, Antonio | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Sartorio, Antonio | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Schadaeus, Abraham | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Schäfer, Siegfried | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Schaljapin, Fjodor | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Schauspielmusik, Antike | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Scheidt, Samuel | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Schein, Johann Hermann | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Scherchen, Hermann | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Schoeck, Othmar | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Schoendlinger, Anton | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Schönewolf, Karl | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Schreker, Franz | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Schulmusik, Mittelstufe | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Schulmusik, Musikschulwerke | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Schulpraktisches Musizieren | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Schumannpflege | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Schürmann, Georg Kaspar | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Schütz-Forschung | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Schütz-Rezeption | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Schvaen, Kurt | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Schweden | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Schwingungsformen | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Sedaine, Michel | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Shakespeare-Rezeption | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Shaw, George Bernard | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Sibelius, Jean | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Silbermann, Gottfried | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Sinfonie | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Singeklub | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Skalierungsprobleme | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Skrjabin, Alexander N. | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Soermus, Julius Eduard | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Sololied | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Sorbische Musik | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Sozialistische Kunst | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Soziologie, allgemein | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Spagna, Arcangelo | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Spener, Philipp Jakob | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Spieltheorie | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Staatskapelle Berlin | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Stählin, Jakob von | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Steglich, Rudolf | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Steinbach, Fritz | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Stephan, Rudi | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Stevens, Bernard | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Stimmklassifizierung | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Stimmstörung | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Stimmstörungen | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Stimmung, temperierte | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Stolte, Siegfried | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Stoltzer, Thomas | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Stradella, Alessandro | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Straube, Karl | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Strawinski, Igor | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Streichbogen | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Stuckenschmidt, H.H. | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Studienmaterial | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Studienprogramm | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Süverkrüp, Dieter | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Swingle-Singers | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Sychra, Antonin | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Synkope | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| System, dynamisches | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Taktakischwili, Otar | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Tanzästhetik | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Taucha | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Teilsystem | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Telemann-Bild | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Telemann-Forschung | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Temperatur | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Terminologie | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Theater Zettelsammlung | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Theater, episches | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Theater, Geschichte | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Theaterarbeit, DDR | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Theatermodell | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Theaterzettelsammiungen | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Thelle, Johann | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Thematische Arbeit | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Theorie der Interpretation | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Theorie der Musikwissenschaft | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Thiel, Wolfgang | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Thomanerchor | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Thomasius, Christian | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Tonsatz | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Tonsysteme | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Tontechnik | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Tradition | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Transkulturation | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Treibmann, Karl Ottmar | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Treibmann, Karl Ottomar | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Tremolo | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Trickfilmmusik | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Trivialmusik | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Trumscheit | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Tschaikowski, Boris | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Tucholsky, Kurt | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Übersetzungen | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Übertragungsmusik | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Umgangsmusik | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Universitätsmusikleben | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Unterhaltunaskunst | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Unterrichtsmaterial | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Urheberrechtsgesetz | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Variantenprinzip | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Verdi-Rezeption | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Verhaltensnormen | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Verismo | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Verlag, C.F. Peters | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Vide, Jacobus | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Vierling, Georg | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Vietnam | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Vinci, Leonardo | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Vischer, Friedrich Theodor | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Vitry, Philippe de | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Vivaldi, Antonic | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Voigtländer, Lothar | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Vokalimprovisation | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Vokalschaffen, 20. Jh. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Volksgesang | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Volkskunstschaffen DDR | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Volkskunstschaffen, sorbisches | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Volkslied-Archiv | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Volkslied, Geschichte | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Volkslied, sorbisches | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Volksliedästhetik | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Volksliedforschung, Automatisierung | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Volksliedkatalogisierung | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Volksmusikforschung, sorbische | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Vorschulerziehung | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Wach, Carl Gottfried Wilhelm | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Wagenseil, Georg Christoph | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Walther, Johann Gottfried | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Wanningus, Johann | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Warschau | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Warschauer Herbst | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Wechselfinalis | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Weinert, Erich | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Weingartner, Felix | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Weiß, Silvius Leopold | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Weisse, Christian Felix | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Weltfestspiele, X. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Wenzel, Eberhard | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Wenzel, Hans Joachim | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Werneburg, Johann Friedrich Christian | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Werner, Johann Gottlob | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Werner, Johannes | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Westenholz, Carl Ludwig | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Westhoff, Johann Paul | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Wieck, Clara | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Wiederspiegelungstheorie | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Wien | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Wiesner, C.U. | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Wigman, Mary | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Wilbrandt, Jürgen | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Willert, Paul | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Willmann, Samuel David | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Winkler, Johannes | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Winter, Peter | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Wissenschaftsgeschichte | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Wittenberg | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Wladigerow, Pantscho | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 1 |
| Wolf, Hellmuth Christian | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Wolf, Hugo | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 1 |
| Wolff, Christian | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Wolkow, Kyrill | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Wort-impetus | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Young, Percy M. | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Zani, Andrea | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Zelter, Carl Friedrich | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Ziergesang | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Zimmermann, Werner | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 1 |
| Zumsteeg, Johann Rudolf | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 1 |
| Zunftwesen, musikalisches | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 1 |
| Zweig, Stefan | 0 | 0 | 0 | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 1 |
| Zwickau | 0 | 0 | 1 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 1 |
| Bühnenmusik, siehe Schauspielmusik | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Rezeption, siehe Musikrezeption | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |